Three
Plays
The
Year-Tide: A Praise of the Seasons
The
Great Escape or How the King was fooled
The
Duel of Salt and Iron
Three Questions in the Mountains
Evening of the 2nd
Riverday of Petals, Bohat
Referee
Outside the village you
hear singing and soon you pass peasants with scrubbed faces and
flowers in their hair. Among them is a young couple with a boy of
maybe eight or ten. The boy has blond straw-like hair and doesn't
smile.
Later you reach the
pasture on the hills and Marko sits down on a flat rock to take a
light meal. With a piece of bread he gestures up towards the
mountains indicating the path he followed to find the lost sheep. In
the moonlight his face looks older. “Is it true that the Everflask
can call forth a river?” It is his first words since you left the
village and his voice sounds deeper.
Sir Anastaz, The Salt Knight
Anastaz looks up at
Marko. After a second, he slowly nods. "Indeed. It contains
an endless supply of fresh water, though sometimes you need to play
music to refill it." He unhooks the flask from his belt and
hands it to the boy, an unassuming if unnaturally dense oblong stone
with a pewter cap.
Referee
He takes a sip of the
flask and watch it fill again. “A strong Glamour.” he concludes
as he hands it back but his eyes show no surprise. Higher up in the
foothills you need to use both hands to climb and Marko fastens the
lantern to his belt. At different spots he reaches down to lend you a
hand and when he pulls you up he seems unnaturally strong for his
age. At a deep gorge he turns around. He is as tall as his father
now. “A little further” he says and jumps nimble as a mountain
goat to the other side. He puts the lantern on a ledge and spreads
his arms ready to catch you. “Why is it called the Bow of Harvest
?“ he asks.
 |
| The Cast |
The Year-Tide: A Praise of the Seasons
The puppet play opens
on the Winter Knight silently standing on a snow-covered field. He is
tall, stern, and dressed in white. The Maiden of Spring arrives in
green and gold with bells on, but her bells make no sound. Winter
stubbornly refuses to move and says: “You cannot take what you
cannot awaken.” Spring summons birds and warm rain and bright sun
but the land does not stir under the unyielding gaze of the Winter
Knight.
Finally, a Fox appears—not to fight Winter, but to tell
a foolish joke about how he once mistook snowdrops for teeth and
tried to apologize to the land for knocking them about. The audience
laughs. Spring does not. The Fox whispers to her: “You cannot
borrow laughter. You must remember it.” Spring reaches into her
cloak and pulls out something small — a tattered red ribbon — and
remembers a time before frost. Her laughter returns. Winter bows and
turns to leave. The land springs to life and the Fox bounds after the
Knight, nipping playfully at his heels.
Sir Milos, the Fox Knight
As the curtain closes, Milos is standing in the back of the audience, lit by flickering torch
light. He chuckles to himself and looks out across the crowd, beyond
to the hills. “I wonder what kind of trouble he’s wandered off
into?
Sir Anastaz, The Salt Knight
Anastaz eyes Marko
curiously. He runs his hand along the gnarled wood. "It was a
gift of sorts, from the Steward of Seasons. Even so, I still had to
fight him." He makes a running start and leaps across the gap,
reaching out to grab Marko.
The Great Escape or How the King was fooled
The next scene opens
with a puppet herald announcing the capture of a fearsome giant bat
and how it will be taken to trial before the king. Andrasz is a
skinny puppet with dark clothes and a page haircut. He asks malicious
questions to a young knight dressed in a flowery tunic and with a
stick for his left arm. The young knight addresses the audience with
a heartbreaking argument. Silence falls above the audience and some
tears are shed. The king calls in more witnesses, and leads the trial
very seriously and with great pomp. Unfortunately for him, the puppet
representing the waldochian hunter, sporting a grandiose moustache
and colourful clothes, spills out a series of hilarious responses to
any questions he receives (without forgetting some flatulence and a
couple of burps). Everyone in the audience is crying with laughter at
his nonsensical remarks and booing loudly at the king’s attempts to
bring order. The trial ends. Cut scene. Night in the dungeons of
castle Barow. A very drunk prison guard carries on the burping
syllogisms of the previous scene, with great joy of the audience.
Gasps of surprise! As a sudden pyrotechnic show introduces a giant
puppet creature with great dark wings. The giant bat addresses the
audience, sneering and grinning, saying how it wanted to make the
guard sleep but there was no need (they were already drunk) and how
it transformed into fog and escaped through the key hole of its cell.
King Andrasz can't even keep his men in order, how could he think to
hold me prisoner! And the giant bat flies off between pyrotechnic
lights and generous applause.
 |
| "AND WHY DO THEY CALL YOU ELFBANE?" |
Referee
Marko catches you and
pulls you towards him. He looks down at you, his wiry hair stands up
on his skull like a black flame: “AND WHY DO THEY CALL YOU
ELFBANE?” he roars.
The Duel of Salt and Iron
Forboding drums herald
the final act; the Duel of Salt and Iron. As the curtain is drawn,
the audience sees a female puppet clad in black mail enter and take a
knee. There is silence as the Iron Puppet tells the story of a great
man, a noble ruler, betrayed during a war by those he trusted. Of a
coward who escapes justice, and hides her shame. As the Puppet rises
to confront the traitor, a tall and sharply cut puppet clad in full
armour emerges, barring the stage exit with their blade. The crowd
gasps and mutters as the Iron Puppet recognises the blade of her lord
wielded against her, and the Salt Puppet laughs. It demands that she
hold her tongue or face his blade, and the Iron Puppet paces back and
forth across the stage, asking the audience whether honour is worth
her life when she faces the champion of the kings tourney, the sting
of her house's blade. She draws her own silver-painted stick, and
accepts the challenge, and some in the audience cheer. The curtain
drops, and draws again. The Andrasz puppet from the earlier scene
emerges, and sneers at the audience and the kneeling form of the Iron
Puppet, before calling forth his champion. The Salt Puppet and the
Iron Puppet face each other, blades raised. With a clash of cymbals,
they pass once, twice, thrice, gasps from the children and some of
the elder audience members emerging with each. Then the Iron Puppet
staggers, and drops their stick as a shower of red flowers drop from
above. The Iron Puppet bravely stands from its knees for a second,
Andrasz returning to the scene. The puppet nods and laughs once more,
and the Salt Puppet cuts the black figure down with fierce violence
as the music builds to a crescendo before cutting off entirely. Jeers
and boos and appalled gasps come from the crowd amongst the scattered
applause.
Referee
The last curtain falls
and there are shouts and murmurings and only after Yordanka steps out
from behind the booth the peasants rise and applaud wildly. The
bottler collects few coins and buttons but many approach the stage
laying down sacks of grain and jars of honey, some handing over small
tools and whatever they can spare. Lady Wendela sends Inga to fetch
the playwright and they sit under the oak and talk about the past and
tidings from afar.
Ser Perilake, The Gilded Knight
In the audience,
Lady Inga's face is pained at the old wounds reopened. She was not
close to Bianca, but they served Kranach together and her choices -
and their consequences - unleashed much sorrow. As Avert gasps a
childish oath of dismay at the fate of the Iron Puppet, her husband's
normal good cheer takes on a steely aspect.
Sir Milos, the Fox Knight
Milos appears at
Heldris' side and says "Perhaps for the best that our friend
was not here to see this particular rendition of his legendary
battle." He takes a sip of his wine. "I suppose the
stories you all inspire are never really in your control, are they?"
Sir Heldris the Dove Knight
Heldris has been
watching the play, frowning silently. At the Fox Knight’s remark,
he nods "Fortunately, the theatre is not something Sir
Anastaz give too much weight to, he understands honour is not always
pleasant.” He gives a weary smile, turning his gaze towards the
ground. “But you’re right Sir Milos, we don’t control our
own stories, and nor does the King apparently. Perhaps that is why
Andrasz is so little in love with the arts. They are something he
cannot rule upon.” He turns to the Fox Knight again, "But
tell me my friend, you that are at the dawn of your knighthood, how
do you imagine your story will be?"
Ser Perilake, The Gilded Knight
Avert tugs at
Perilake's sleeve "Father, those stories.... you have told
me of the great bat, but that it was hurt and that the King was being
tricked by the hunter. But that little man with the moustache was a
fool, and the king was nasty, and the bat was wicked." His
small face frowns. "And that battle with the poor little
Iron Knight... could that really be Uncle Anastasz? Was he really so
cruel?" Perilake smiles sadly down at his boy. "I
remember those days well, Avert. And I cannot say the stories we saw
tonight aren't true, in their own fashion. But they are not the whole
truth." He sighs. "Uncle Anastasz is a righteous
man, a man of conviction and strength." He looks out in to
the darkness, thinking of his brother in arms. "But so too
was the Iron Knight. Her cause was not unjust, but neither was that
of her foe. And Bianca's conduct was... dishonourable. It was not
justice she sought but vengeance. We tried to find peace, but more
bloodshed was what she wanted." He looks in to his son's eyes
and speaks seriously. "And in truth, she was victorious. You
have seen how sad your mother is sometimes, when she speaks of
Kranach. You have heard the whispers of your uncle Zoltan, and how
they weigh heavily on his shoulders during his brief visits. Bianca
wanted the Realm to tear itself apart to avenge the injustice she
suffered, and unlike her rival, she cared not for the lives such
deeds cost." "Like Iron, she would not bend, and so... so
she broke." Avert's small face grows pensive as he
contemplates this, and Perilake holds him by the shoulder. "The
story we saw tonight is true, in its way. The story I have told you,
truer still." Seeing his son's confused face, Perilake
smiles. "I carry on too long, Avert. My point is one I have
told you before; things will not be simpler as you grow older, but
you will understand them more. At least as best as any can. All we
can do is stay true to ourselves, and to what we love."
Sir Milos, the Fox Knight
“To be honest, the world has proven so wondrous and unexpected that
I doubt the power of my imagination to shape the path before me. Not
long ago, I would not have dreamed that I would be standing here
sharing a cup with the Dove Knight of legend and yet it comes to
pass.” He takes another sip of his wine and ponders for a
moment. “Perhaps I do have hopes though, that whatever story is
told of me may inspire or move others, or at least make them laugh,
offer some respite from the inexplicable hardships that are all too
common in these lives of ours.” He stops short and the blood
rises to his cheeks, visible even in the dim torchlight. “Ach,
listen to me go on. The wine has loosened my tongue and you must
think me a foolish young man.” In an effort to shift attention,
he points toward Perilake. “Ah look there, the Gilded Knight
approaches the playwright herself. I can’t imagine that
conversation will be a cheery one.”
Sir Anastaz, The
Salt Knight
Marko's hands,
covered in a fine layer of downy fur, tighten around the Salt
Knight's throat, sharp nails digging into skin. He mashes the Knight
into a rocky outcropping, Anastaz's head smacking against the hard
stone. Anastaz manages to bring his knees in and kicks, hard, enough
to force Marko off of him and back. Anastaz stands and draws himself
up to his full height, now on a level with Marko. "I
defeated the Elf, yes, but what does it matter to you? Tell me how to
help you, Marko, there's something wrong here."
Referee
Marko half leans with
his back against the slope and adjusts his footing on the treacherous
rock. There is a glint in his dark eyes. “Yes, something is wrong.”
He quickly glances over his shoulder where is pouch is lying. “But
it can be righted!” He reaches for his staff and strikes.
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